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Monday, January 16, 2017

Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II

Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II 01
Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II 02
Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II 03
Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II 04
Zuiko OM 21mm 1:3.5, Analog Diary, Going Ultra-Wide II 05
Film photography favorites, image making with an Olympus Zuiko OM 21mm 1:3.5, ultra-wide in the park, Part II.
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The walk down the meandering path of the park allows me to grab a few shots that show how well the lens can be adapted to a couple of genres I mentioned above. When focusing is set to the hyperfocal range, the 92° angle of view of the Zuiko 21mm 1:3.5 not only grabs them all in but also places them equally in focus throughout the field's depth.

Aside from being the recommended option for landscape photography, you can also use ultra-wide-angle lenses for architectural interiors, near-far relationships, group shots in tight spaces, street shooting sidewinder style (shooting from the hips), and people-watching. Images were post-processed on the desktop image manager and editor, Olympus Viewer 3 (OV3), and tweaked for Auto Tone Correction, Brightens & Contrast, and Hue & Saturation.

Olympus OM-2SP, Olympus Zuiko OM 21mm 1:3.5
Olympus OM-2SP, Olympus Zuiko OM 21mm 1:3.5


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