The KD-30M, introduced by Konica in 2002, features a 5.1mm fixed-focus lens (equivalent to a 34mm wide-angle on a full-frame camera) with 4x digital zoom, an optical viewfinder, a 1.6-inch TFT LCD, and a built-in flash. The aperture range of the lens is typically from f/2.8 to f/8.
The point-and-shoot autoexposure camera comes with a mechanical shutter speed range of 1/4 to 1/1000 second, and 1/1000 second electronic; ISO sensitivity at 100 to 200; a 4× digital zoom lens with two-step manual zoom adjustment; and a pop-up electronic flash with Auto, Red-Eye Reduction, Night Scene, Fill-in, and Flash-off modes. The camera measures 94 x 66 x 41 mm and weighs 140 grams, powered by 2 x AA batteries (or compatible CR‑V3 lithium pack).
Images are recorded at 2560 x 1920 pixels (via interpolation), 2048 x 1536, 1600 x 1200, and 1280 x 960 pixels on the camera's 16MB internal memory and SD card. Focusing distances can be set to normal focus for 0.8 meters to infinity and to macro mode for distances down to 0.2 meters.
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Camera control is enabled by a single mode dial on top of the camera, which can be set to Shooting, Playback, Movie Clip, and Setup modes. Icon display on the LCD screen includes Battery Status, Focus Range, Digital Zoom, Working Mode, Flash Mode, White Balance, Image Quality, Image Size, Exposure, and Date.
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One minor discomfort I had with the camera is the Exposure Compensation setting, which is not recorded to memory. The setting has to be done manually each time the camera is turned on, which may lead to memory lapses and missed shots.
A way out of this predicament is to shoot with the camera's autoexposure mode and post-process the images with adjustments to Auto Tone Correction, Crop, Tilt Adjustment, Tone Curve, Brightness and Contrast, Hue and Saturation, Sharpness and Blur, and Unsharp Mask on the image editor.
Peer reviews indicate that the camera's performance is limited by its slow-paced (ala using film) shooting and poor low-light performance. Images in bright and sunny locations, as seen here, can still claim the fame for the nostalgic "digicam" aesthetics, with vibrant 2000s-style images in punchy colors.
