This minuscule form factor makes for a very discreet and inconspicuous front end for MFT (Micro Four/Thirds) system cameras.
The plastic-bodied lens, introduced in 2010 with a durable metal mount, is a six-element in five-group design with three aspherical elements, seven rounded iris blades, a minimum focusing distance of 0.18 meters, and accepts 46mm filters.
On the Lumix DMC-G5, the lens is equivalent to a 28mm wide-angle prime on a 35mm full-frame camera, a focal length ideal for street, travel, and landscape photography.
The wide-angle focal length offers a dynamic look that pulls the viewer into the frame, creating a sense of being rather than just being a distant observer. The image frame induces the scene to tell a more complete, layered story with a strong sense of space and place.
The lens is also known for its fast autofocus, excellent color reproduction with sharp and vivid details right from its widest aperture at f/2.5. As it is, the lens is already a better performer for low-light and background blurs as compared to standard kit zoom lenses with f/3.5 or f/4 widest apertures.
The Lumix G 14mm f/2.5 Asph., well worth its value as a classic or early-era digital lens, and still sought after by MFT (Micro Four/Thirds) enthusiasts, was updated to the Mark II version in 2014.
The Panasonic Lumix DMC-G5, a 16MP Micro Four Thirds mirrorless digital camera, was introduced in 2012. The DSLR-style compact features an articulated 3-inch touchscreen, 1080p video at 60/50p, 6 fps continuous shooting, ISO sensitivity from 160 to 12800, and a built-in EVF (electronic viewfinder). The camera, a versatile option for photography and casual videography, weighs approximately 396 grams with battery and memory card.
