Monday, March 30, 2020

Nokia Asha 300, At The Farmer's Market I

Nokia Asha 300, At The Farmer's Market I 01
Nokia Asha 300, At The Farmer's Market I 02
Nokia Asha 300, At The Farmer's Market I 03
Nokia Asha 300, At The Farmer's Market I 04
Nokia Asha 300, At The Farmer's Market I 05
Nokia Asha 300

#MobilePhotography

Nokia Asha 300, At The Farmer's Market I

'Images on the go, five frames with the Nokia Asha 300, the local Farmer's Market'

It has to be a very early morning trudge, or even a footslog, verging dawn if you are after the best of choice and the widest of the selection of farm produce and what have you at the farmer's market. Park your car away from the rush into the site's parking lot, do the walk-in instead, take your time with the pick, and you can still be done before the sun is up.

Nokia Asha 300

Images were shot on the Nokia Asha 300 and cropped to the 2.7: 1 image aspect.


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Monday, March 23, 2020

Konica C35 EF, Sights and Scenes II

Konica C35 EF, Sights and Scenes II 01
Konica C35 EF, Sights and Scenes II 02
Konica C35 EF, Sights and Scenes II 03
Konica C35 EF, Sights and Scenes II 04
Konica C35 EF, Sights and Scenes II 05
Konica C35 EF

#AnalogDiary

Konica C35 EF, Sights and Scenes II

'Film photography favorites, five frames with the Konica C35 EF, sights and scenes (Part II) on a walkabout in the city'

The second set of images, after Part I, on my walkabout in the city with the Konica C35 EF. Nicknamed 'Pikkari' for being the first 35mm compact camera that came with a built-in flash, the camera was introduced in 1975. Name-wise, the C stands for 'compact', the 35 for 35mm film, and EF for 'electronic flash'. Focusing is enabled by selecting preset distances on the rotating lens barrel, using the zone focus method.

Konica C35 EF

One regret of the camera over its predecessor the C35 Automatic is that the camera is not a rangefinder anymore. It is now a zone-focusing model, with a four-zone setting dial located on the rotating lens barrel. The camera, as dictated by its development, is available in two iterations, one from its release date in 1975 and the second from 1977 onwards.

Konica C35 EF

The difference between the two models is the addition of a self-timer and a new speed of 1/250 second which is added to the 1/60 and 1/125 from the older model. On the new model, the self-timer lever is located on the left side of the lens, an orange plastic flash release knob (the old one came with a black plastic one), and the focusing symbols on the lens focusing barrel are framed, otherwise, they are similar.


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Monday, March 16, 2020

Nokia Asha 300, From Across The Street

Nokia Asha 300, From Across The Street 01
Nokia Asha 300, From Across The Street 02
Nokia Asha 300, From Across The Street 03
Nokia Asha 300, From Across The Street 04
Nokia Asha 300, From Across The Street 05
Nokia Asha 300

#MobilePhotography

Nokia Asha 300, From Across The Street

'Images on the go, five frames with the Nokia Asha 300, out on an errand, views scenes from across the street'

Scenes as seen from across the street, on a quick night out to the local takeaway, with the buildings properly lighted up, hardly anybody around, and traffic just as sparse and intermittent. Images shot with the Nokia Asha 300.


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Monday, March 9, 2020

AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop

AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop 01
AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop 02
AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop 03
AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop 04
AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop 05
Nikon F601, AF Zoom-Nikkor 35-105mm F3.5~4.5 D

#AnalogDiary

AF Zoom-Nikkor 35-105mm F3.5~4.5 D, At the Stop

'Film photography favorites, five frames with the AF Zoom-Nikkor 35-105mm F3.5~4.5 D, taking time at the railway stop'

At the train stop, in the quiet after the morning rush, where time almost stood still. I was on my way to an outing in the suburb and had with me the AF Zoom-Nikkor 35-105mm F3.5~4.5 D mounted on the Nikon F601.

Nikon F601, AF Zoom-Nikkor 35-105mm F3.5~4.5 D

The AF Nikkor 35-105mm F3.5~4.5 D, introduced in 1995, was the third and final iteration of the AF Zoom Nikkor 35-105mm f/3.5~4.5 series produced by Nikon. The AF Zoom-Nikkor 35-105mm F3.5~4.5 D, incidentally, is the only version that is fully compatible with all 35mm SLR Nikon film cameras as well as Nikon FX digital cameras manufactured from 1977 onward.

Nikon F601, AF Zoom-Nikkor 35-105mm F3.5~4.5 D

The Nikon F601, or the N6006 in the US, was introduced in 1991 and featured an improved autofocus system, auto film advance, pop-up electronic flash, a new multi-zone metering program, and a top shutter speed of 1/2000 of a second.


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Monday, March 2, 2020

Minolta MD 28mm F2.8, Low Key Re-Edits

Minolta MD 28mm F2.8, Low Key Re-Edits 01
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Minolta MD 28mm F2.8, Low Key Re-Edits 04
Minolta MD 28mm F2.8, Low Key Re-Edits 05
Olympus Pen E-P5, Minolta MD 28mm F2.8

#DigitalMoments

Minolta MD 28mm F2.8, Low Key Re-Edits

'Vintage lens on mirrorless camera lens test, five frames with the Minolta MD 28mm F2.8, on a re-edit of a low-key shoot session'

A re-edit of the images from the low-key photography session I did quite a while back, with the initial post-processed images posted here. Nothing much about this exercise either, just a repeat exercise on the selection of images, cropping, and post-processing, just to see whether my post-processing techniques have improved at all.

Supposedly easy to do, low-key photography is actually very hard to master. Starting off, low-key photography is a genre of photography consisting of shooting dark-colored scenes, with natural or artificial lighting emphasizing only specific areas in the frame. Results are often visually mysterious, seen as a composition or compositions of light and shapes, interpreted only by the viewer himself.

Olympus Pen E-P5, Minolta MD 28nn F2.8

Images were shot in RAW on the Minolta MD 28mm F2.8, mounted on an Olympus Pen E-P5. Post-processing includes edits in Auto Tone Correction, Crop, Tone Curve, Brightness & Contrast, Hue & Saturation, and Unsharp Mask.


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