Salam Aidil Adha, Maaf Zahir & Batin

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Five Frames, Found Slides, Bells of Chrome

Vintage color film slides from the '80s, found, scanned, and post-processed for web publishing.

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Went back to rummaging through my slide collection recently and updated the database with a few more found slide images from the latest scan. The scan included this set of images of brightly chromed helmets of a vintage fire brigade squad at a citizen festival. This was way back in the 1980s.

If I remember correctly, I had the Olympus OM-2n mounted with a Zuiko OM 135mm F2.8 lens, and the images were shot on a roll of Kodachrome slide film.

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Five Frames With An M.Zuiko 17mm F2.8, A Case for JPEG Images

Digital Moments - Images with an Olympus M.Zuiko 17mm F2.8, on an urge to change from shooting RAW to JPEG.

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The easement of the pandemic confinement saw me going for a short walkabout in the park recently, and for the session, I had the Pen E-P5 mounted with an M.Zuiko Digital 17mm F2.8. Images were, however, taken in JPEG format, rather than the *.ORF Raw format I am used to.

The case for JPEG images, as we all know, has always been a long-drawn discussion as many tend to associate it with poor image quality. While some may agree with the notion, others may not. JPEG is actually a very capable format with images that you cannot differentiate from other formats, and it comes with the main advantage of its superior compression capability.

Olympus E-P5, M.Zuiko 17mm F2.8

For a start, JPEG images are compressed from 1/10 to 1/20 of their original size with no loss of visual quality and the freedom from the time-consuming conversion process needed to transfer raw files into a more practical format for printing, uploading, and storing. As for the images I took, it all turned out rather well (except maybe for the first image above), and, no worries, I will gladly do it all over again if I need to.

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Five Frames With A Konica Hexanon AR 50mm F1.7, A Quick Take I

Digital Moments - Vintage lens test, images with a non-functional Hexanon AR 50mm F1.7.

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Testing out the Konica Hexanon 50mm F1.7 which came in through the post recently. Bad luck though, as the lens was faulty, it has oily blades which were almost stuck, a bent filter ring that refuses to be removed, and a front trim that was loosened due to the pressure of trying to unscrew the filter.  These images ended up being shot at the lens's widest aperture.

Olympus Pen E-P5, Konica Hexanon AR 50mm F1.7

The bent filter ring was solved by knocking out the glass element with a hammer and using a pair of pliers to twist the metal part off from the front trim. The oily blades, however, will have to wait for the trip to 'Uncle Wong', the part-time camera repair and service pro, who I hope can have it cleaned.

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Five Frames With An Olympus XA1, At The Stop

Analog Diary - Film photography favorites with an Olympus XA1, at the stop with a roll of expired Fujifilm Superia X-Tra 400.

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I was on the Olympus XA1 and a roll of expired Fujifilm Superia X-tra 400 here, with a batch of shots at the end of the roll preempting the series. Interesting captures at the Central Market public bus transport terminal in downtown KL.

Olympus XA1, Fujicolor Superia X-TRA 400

The Olympus XA1, though not the favorite among Olympus XA-series camera enthusiasts, is actually one of my favorites.

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