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Monday, May 13, 2024

Nikon Series E 50mm 1:1.8, In The Community Garden

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Sunny 16 Rule: In the community garden, fully manual exposures with a 10MP Nikon D80 and a Nikon Series E 50mm 1:1.8.
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While some of us may think that the Sunny 16 rule is a leftover from the past where images captured on older cameras need to be exposed manually, the rule is still valid and usable today, even with a digital camera. This is a case in point where I am using a vintage Nikon digital SLR camera, the 10.2MP CCD Nikon D80, introduced in 2006, mounted with an equally vintage manual focus Nikon Series E 50mm 1:1.9 lens, introduced in 1995.

The Nikon D80, an entry-level digital SLR camera, does not come with the 'Non-CPU Lens Data' input option, neither does it have the aperture-indexing finger for metering with older 'AI' lenses. This means that when mounted with a vintage MF lens, say Nikon Series E 50mm 1:1.8 (an excellent choice for a starter lens), the D80 does not work in any of its automated exposure (Program, Aperture, or Shutter priority) modes. Exposures are executed manually with the mode dial set to M, and the camera prepped with the appropriate ISO and shutter speed settings.

Nikon D80, Nikon Series E 50mm 1:1.8
Nikon D80, Nikon Series E 50mm 1:1.8

As with images from the community garden where these test shots were taken (and others as well), learning the basics of the Sunny 16 Rule for manual exposures is fairly easy and straightforward. First, prep the camera with the ISO speed setting to 100 or 200, and the Shutter speed similarly to 1/100 or 1/200 (or to the nearest) second. Next, set the lens aperture opening based on the lighting condition of the scene, f/16 for Sunny, f/11 for Slightly Cloudy, f/8 for Cloudy, f/5.6 for Overcast, f/4 for Dark Skies, and f/2.8 for Low Light conditions. Last, frame and focus the scene, and shoot away.



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Monday, May 6, 2024

Fujifilm FinePix BigJob HD-3W, Ruggedized

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Camera Shorts: A 6MP CCD ruggedized waterproof, dustproof, and shockproof all-weather digital camera built for the construction industry.
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The Fujifilm BigJob HD-3W, a 6MP CCD digital camera, built with a ruggedized waterproof, dustproof, and shockproof all-weather body built for the construction and engineering industry, was initially made available only for the Japanese domestic market before it was introduced to Europe in 2007. The camera, a rather plain and boxy brickbat, comes with a shutter speed range from 2 to 1/2000 second, a 3x wide-angle Fujinon 4.7-14.1 (28-84mm equivalent) lens, a 3-inch LCD with reinforced glass coating, hot shoe, a powerful built-in flash, and ISO 1600 capability is powered by 2x AA batteries.

The Fujifilm FinePix BigJob HD-3W is highly usable by both the casual user and the outgoing outdoorsman. The operation of the autoexposure camera is made simple with easy access buttons, mode dial, and menu systems that are accessible even for users with gloves. Exposure modes can be configured for Auto (the BigJob HD-3W does not have PASM modes), Manual (where you can manually adjust the ISO and Exposure Compensation), Scene Position (with selection for Portrait, Landscape, Sport, Night, and Text), and Movie.

Fujifilm FinePix BigJob HD-3W
Fujifilm FinePix BigJob HD-3W

The Fujifilm FinePix BigJob HD-3W is also accredited with two worlds first, the CALS mode which records images at 1MP for attaching and easy distribution via email, and Detection Manipulation, a feature that highlights tampering to pictures after the photo has been taken (via viewer software check). The camera is also programmed with a Shot Date function, making the camera functionally useful for monitoring and reporting work progress, insurance, and forensic applications. CCD images captured with the camera are, of course, par excellence.



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