Monday, November 27, 2017

Digital Moments: Nikkor 28mm f/2.8 Ai

Digital Moments: Nikkor 28mm f/2.8 Ai 01
Digital Moments: Nikkor 28mm f/2.8 Ai 02
Digital Moments: Nikkor 28mm f/2.8 Ai 03
Olympus E-P5, Nikon Nikkor Ai 28mm 1:2.8

Nikkor 28mm f/2.8 Ai

Nikkor Ai 28mm f/2.8, View
'Overview of the Nikkor 28mm f/2.8 Ai lens with image samples photographed using the digital Olympus E-P5'

The next few posts of Digital Moments will feature images from a batch of Nikkor legacy lenses, shot in 1:1 image aspect ratio, in post-processed colors or in black-and-white done on Olympus Viewer 3 (OV3).

First up is the Nikkor Ai 28mm f/2.8, a 7-element construction introduced in 1977, launched as a followup the non-AI version which was available from 1987 to 1977. The 28mm f/2.8 was Nikon's most popular wide angle lens from 1974-1981.

Digital Moments: Nikkor 28mm f/2.8 Ai 04
Nikkor Ai 28mm f/2.8, Top

Fitted to the 2x crop sensor Olympus Pen E-P5, the lens is now the equivalent to that of a 56mm lens on a standard 35mm full frame camera.

The closest focus distance of 0.3m suits me well for this quick take session - a trio of minimalist images of plants in the mini garden, and a couple more of the foliage.

As Ken Rockwell wrote it on his blog, the Ai 28mm f/2.8 is a compact and lightweight unit, with image quality recognized as a top class Nikkor performer.

Sharp as it is, the lens claim to fame was later overshadowed by its sibling, the Nikkor Ai-S 28mm f/2.8, which is reputed to be Nikon's sharpest manual focus wide angle lens ever.

Digital Moments: Nikkor 28mm f/2.8 Ai 05

Aside from the post by Ken Rockwell, a few other instances of discussion or posting pertaining to the lens includes:


Olympus E-P5, Nikkor Ai 28mm f/2.8

Using the lens was easy and fun, the balance was just right, and cradling the camera in the hand with the index finger on the focus ring and the middle finger of the aperture ring is as perfect as it can be.

These images were shot in RAW, wide open, post-processed on Olympus Viewer 3 (OV3) with final print sharpening done on Google NIK Sharpener Pro 3.


Resource Links:
Nikon 28mm f/2.8 AI
Nikon NIKKOR 28mm f/2.8 ai (Image quality filming)

Monday, November 20, 2017

Analog diary: Early At The Fair

Analog diary: Early At The Fair 01
Analog diary: Early At The Fair 02
Analog diary: Early At The Fair 03
Minolta Alpha Sweet, Minolta AF 50mm 1:1.7

Early At The Fair

'Analog diary. early at the fair with the Minolta Alpha Sweet and Minolta Maxxum AF 50mm f/1.7'

After doing a stint with the Minolta AF 35-70mm f/4 previously, I am moving next to the Minolta AF 50mm f/1.7, fitted to the Minolta Alpha Sweet 35mm SLR.

The A-mount Minolta AF 50mm f/1.7 is a very compact lens, the smallest that Minolta made during its production run, shipped as a 'kit' lens type. Filter size is 49mm.

The unit I was using was the restyled (RS) version of the 1990s. Fit and finish is good, the lens has plastic exterior, sports a stylized rubber grip around the barrel and focus ring, and is fitted with stainless steel mount. The lens also houses a nifty but shallow built-in hood which you need to pull out of the body mount to use. The hood does not provide much of a shade though.

Analog diary: Early At The Fair 04

Minolta Alpha Sweet, Maxxum AF 50mm f/1.7
On the Alpha Sweet, the AF 50mm auto-focuses quickly and accurately, and being the RS version, the focus throw is shorter than the original non-RS version.

Manual focusing is equally easy, quick, and smooth with the 1/4 turn from close-in to infinity.

The feet and meter focus distance scales are engraved on an inner barrel which is visual through a window opening. DoF (Depth of Field) hash marks are engraved on the outer barrel.

Analog diary: Early At The Fair 05

As for the event itself, my visit was early in the day the fair started, stalls and sellers are set and ready while the crowd was just trickling in. I had a roll of Kodak ColorPlus 200 installed in the camera, grabbed these few shots, and a few more, but decided later that on the post-processed black and whites are the better option for this presentation.

Minolta Alpha Sweet, Maxxum AF 50mm f/1.7

The camera and lens combination was light and handy, functioned flawlessly, and I was happy to see that the lens stood up to its billing. Minolta A-mount lens, is of course, completely functional with Sony Alpha A-mount APS-C or Full Frame cameras.

Post-processing was initially done on Olympus Viewer 3 (OV3) and print finishing on Google NIK Silver Efex Pro 2 and Sharpener Pro 3.



Resource Links:
Minolta AF 50mm f/1.7 - LEGACY Test Report
The Minolta 50mm AF f/1.7, a Love Story - The Phoblographer

Monday, November 13, 2017

Digital Moments: AF Nikkor 50mm 1:1.8 D

Digital Moments: AF Nikkor 50mm 1:1.8 D 01
Digital Moments: AF Nikkor 50mm 1:1.8 D 02
Digital Moments: AF Nikkor 50mm 1:1.8 D 03
Olympus E-P5, AF Nikkor 50mm 1:1.8 D

AF Nikkor 50mm 1:1.8 D

AF Nikkor 50mm 1:1.8 D, View
'Overview of the AF Nikkor 50mm 1:1.8 D lens with image samples photographed using the digital Olympus E-P5'

I did not waste any time at all when I was given the chance to test out the AF Nikkor 50mm 1:1.8 D. Fitted the lens to my Olympus E-P5 with a third-party adapter, whizzed into the garden and came back a couple of minutes later with these images, and a few more.

The 50mm AF Nikkor came with the reputation of being super sharp and is highly recommended as one of the budget lenses or as a prime to start your camera system with. It is very affordable, with plenty of listing on auction sites, and one you can easily acquire at about half the cost of a new one.

Digital Moments: AF Nikkor 50mm 1:1.8 D 04

AF Nikkor 50mm 1:1.8 D, Top
The lens is a lightweight, weighing in at 155 grams, built of plastic with metal mount, and is highly recommended for travel, portraits, or general photography.

On the Olympus E-P5, the lens has an equivalent focal length of 100mm, the balance feels just right, it does not add any more weight to the camera for you to worry about, and with a closet focusing distance of 0.45m, framing for these minimal's are just about right, but getting the image focussed (manually of course) is something you have to get used to.

The gripe I had, as the lens can only be focused manually on the E-P5, is the corse and gritty plastic feel of the focusing ring. It has none of the legendary smoothness of a manual focus Nikkors (of the past). Though well built, the lens is still a product of the cost-cutting economic plastic era, leaving you the feeling that the lens is best left on an AF Nikon where focusing is a mechanical assist.

Digital Moments: AF Nikkor 50mm 1:1.8 D 05

Though not as sharp as you would expect the images to be (my bad), the image quality of these Nikon crisps is something you can be delirious about.

Digital Moments: AF Nikkor 50mm 1:1.8 D 06

The lens itself has a long built history, starting with several manual version since first introduced in 1978. It is a full-frame FX lens, and it works with every Nikon ever made, digital and film, auto and manual focus. It will not, however,  autofocus on low-end digitals like the D40 and D40x, or the F3.

Olympus E-P5, AF Nikkor 50mm 1:1.8 D

The AF version first appeared in 1986, was slightly changed in 1990, and the AF-D version released in February 2002, complementing the launch of the F90x (N90s in the States), which provides for the innovative distance information for metering and ambient/TTL flash exposure calculation.

Well, if you have a camera that is compatible, this is one for the price and image quality.


Resource Links:
Nikon 50mm f/1.8 D Review
Nikon 50mm f/1.8D AF Nikkor

Monday, November 6, 2017

Analog Diary: A Mixed Bag of Images

Analog Diary: A Mixed Bag of Images 01
Analog Diary: A Mixed Bag of Images 02
Analog Diary: A Mixed Bag of Images 03
Minolta Alpha Sweet, Minolta AF 35-70mm 1:4

A Mixed Bag of Images

'Analog diary, random images with the Minolta Alpha Sweet fitted with a Maxxum AF 35-70mm f/4'

Minolta Alpha Sweet, Minolta AF 35-70mm f/4
The presentation is a slight diversion from my usual thematic style of making images to one which is a mixed bag of images, with random and unplanned shots.

These images are a quick take session with the Minolta Alpha Sweet 35mm SLR and a Minolta AF 35-70mm f/4 kit that just came through the mail.

Analog Diary: A Mixed Bag of Images 04

Minolta Alpha Sweet, Minolta AF 35-70mm f/4
I was so excited about the kit that I did not waste much time loading the camera with a fresh roll of Kodak ColorPlus 200, walking out of the front door into the bright and sharp sunshine, started shooting and went through a roll of film in no time at all.

A plastic-bodied lightweight, the Alpha Sweet (a.k.a Dynax 505si Super in Europe, Maxxum XTSI in the Americas) comes with PASM modes, a sophisticated 14-segment honeycomb-metering pattern, a three-point Crosscut AF sensor, and eye-start operation.

A rapid subject-program mode selection for Portrait, Landscape, Close-up, Sports, and Night Portrait subject programs sits along the top edge of the LCD data panel.

Analog Diary: A Mixed Bag of Images 05

The Minolta AF 35-70mm 1:4, first introduced as a kit lens in 1985 with the launch of the Maxxum 700 A-mount camera system, which is rather short and compact, was a very popular item then. The lens is supposedly sharp all the way up, and it comes with a Macro mode for magnification of up to 0.25x.

Analog Diary: A Mixed Bag of Images 06

As one of the better lenses from the early Minolta period, the lens is also on the list of recommended lenses for current Sony Alpha camera users, both for ASP-C and full frame sensors.

You can also set the camera for Spot AF to lock both focus and exposure, Spot Metering, Exposure Compensation, Multiple Exposures, Exposure Bracketing, Flash Syncs, and set personal shooting style or preference of up to nine custom functions.

Minolta Alpha Sweet, Minolta AF 35-70mm f/4

Using the camera was also a fresh change for me, a change from manual focus and cranked film forward cameras to an era of PASM modes and autofocus point-and-shoot simplicity, much like what you do today with your digitals. Loading the camera is fast and easy, the eye-start system is one for a rapid, and practically instantaneous, response after switching on.

Best of all, of course, is the chance to enjoy the 'Minolta Magic,' the combination of color and contrast rendered by Minolta lenses that you must experience to appreciate.



Resource Links:
Minolta Maxxum XTsi SLR
Alex Kunz Taipei

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