HMD Nokia 3.1, A Short Street Walk

Mobile Photography: Image making with an HMD Nokia 3.1, on an occasional outing with the mobile as the prime for recording images.

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One for the record, early morning images of a local shopping precinct, on an occasional outing where the mobile is used as the prime for recording images. Although I have had the mobile since it was introduced in 2018, I have always resorted to my normal cameras for street shoots on outings and walkabouts. The cameras, to me, are easier to handle and the mobile has always remained a communication tool.

HMD Nokia 31.

The HMD Nokia 3.1 has a 13-megapixel rear camera with an LED flash, and an 8-megapixel front camera, which can be set to 4:3, 16:9, or 18:9 image aspect ratios, with resolutions at 2, 3, 5, 8, and 13 MP. I have noticed that over the years I have been using the mobile, and the camera's features have also been upgraded to what it is now with the regular updates of the Android One program. It may be time maybe for me to use it (the camera feature) more often.

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Olympus VR-370, Cropped Close-Ups

The CCD Sensor: Image making with a super compact 16MP CCD Olympus VR-370, square cropped close-ups from the garden.

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Another update to my collection of compact travel zooms with CCD sensors is the Olympus VR-370. The camera comes with a 16MP sensor, TruePic III+ Image Processor, 12.5X optical zoom lens with a 35mm equivalent of 24-300mm lens, built-in flash, easy-to-use zoom, easy access menu control, ergonomic grip design, dedicated one-touch video button, 3.0-inch LCD with 460k-dot resolution, and Dual Image Stabilization for sharper images in dim light and when shooting at long telephoto focal lengths.

Compact and handy to carry around, easy to use with its built-in flash, easy zoom, and menu controls, the anodized aluminum body also comes with an ergonomic grip design and a dedicated one-touch video button that will switch you from photo mode to video in an instant. Shooting Modes on the VR-370 include iAuto (Intelligent Auto), Program Auto, Beauty, Scene, Magic, and Panorama.

Olympus VR-370

The VR-370 is powered by a powered by DC 3.7V 925mAh battery, good for up to 300 shots (average use) per charge. The camera weighs 170 grams with battery and card and will accept SD/SDHC/SDXC/Eye-Fi cards for external media storage. Externally, the VR-370 has a microphone opening on the front panel and a speaker on the bottom plate. A propriety USB 2.0 multi-connector port is also located on the bottom plate, which connects for Data Transfer (Storage), MTP (Media Transfer Protocol), Easy and Custom Printing, and Charging.

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Konica Hexanon AR 28mm 1:3.5, Worth The Keep

Vintage Lens Test: Image making with a Konica Hexanon AR 28mm 1:3.5, the lens with a stellar reputation of sharpness and overall excellence.

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Another vintage manual focus prime to add to the collection is worth the keep. The Konica Hexanon AR 28mm 1:3.5, in all of its variations, is always acknowledged as pin sharp with excellent color rendition and high shadow details. The variations, with a closet focusing distance of 0.31 meters, were produced circa 1965 to 1980. Konica made five versions of this lens.

The first version, the Konica Hexanon 28mm F3.5, was a preset lens. The 2nd version, the Konica Hexanon AR 28mm F3.5 from then on,  had auto aperture and was labeled EE. The third version was labeled AE, had auto aperture up to F16, and was still large and all metal with updated coatings. The fourth version, this one, is labeled AE, has auto aperture up to F22, and is smaller and lightest at 175 grams. The fifth version was plasticky (typical 80s) and could have performed better compared to its counterparts. The lens was marketed as a Hexar.

Olympus E-P5, Konica Hevaxon AR 28mm 1:3.5

The optical design of the variations has also been altered several times, from the original 7 elements in 6 groups on the preset lens, to 7 elements in 7 groups, and finally to 5 elements in 5 groups for the final version. The filter thread for the preset was 58 mm, with the rest at 55 mm.

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Panasonic Lumix DMC-FZ35, First Impression

The CCD Sensor: Image making with a 12MP CCD Panasonic Lumix DMC-FZ35, an update of the DMC-FZ28, first impression.

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Still catching the blooms here, with these first impression shots on a Panasonic Lumix DMC-FZ35, an update to the DMC-FZ28. The Lumix DMC-FZ35, introduced in 2009, has an increased sensor resolution slightly from ten to twelve megapixels while maintaining the Leica DC Vario-Elmarit-branded 18x optical zoom lens with its useful range from a 27mm wide-angle to a 486mm telephoto. The camera also comes with 201,000 pixels in-line Electronic Viewfinder (EV) with dioptre adjustment, and a 2.7-inch 230,000 pixels live view TFT LCD.

The lens's image stabilization system of the FZ35 has also been upgraded to a new POWER O.I.S. system, said to offer double the stabilizing power. In addition, the FZ35 has a multi-area autofocus system with a single-point high-speed focusing mode and face-detection function. Externally, there is now a Record/Playback slider switch to the top-right of the camera back, which, when set to Playback, will flip the display to the LCD screen, regardless if you are shooting with the EV.

Panasonic Lumix DMC-FZ35

The upgrades are convincing me that the FZ35 is not just another pass towards a later version with maybe better functionalities, but a model worth the while to acquire and use. Outwardly the camera is a strong build with a comfortable molded grip, light enough not to strain your hands or shoulder, with a lens that is powerful to pull in the images. The model is easily available on the auction market, and for CCD sensor enthusiasts, this is worth looking at.

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Panasonic Lumix DMC-FZ28, In Bloom

The CCD Sensor: More images with the excellent image capture capabilities of the 10.1MP CCD Panasonic Lumix DMC-FZ28.

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Continuing on with the Panasonic Lumix DMC-FZ28, a vintage superzoom digital bridge camera launched in 2008 with a 10.1MP CCD sensor and an 18x optical zoom lens. The DMC-FZ28 was the upgrade to the FZ18 which has an 8MP sensor and similar lens configuration. An interesting feature of the FZ28 is the Rec/Playback selector switch which sits next to the thumb rest area on the top right edge of the camera back.

The Record/Playback toggle enables images captured in either the EV (Electronic Viewfinder) or LCD mode to be displayed directly on the LCD screen, without the need to switch back to the LCD mode when you are shooting in EV. Pushing the slider back up to the Record mode will set you back to the option you were using. The option makes a lot of sense and is very convenient and handy to use.

Panasonic Lumix DMC-FZ28

Over and above the FZ18, aside from the upgrade from an 8MP to a 10.1MP CCD sensor, the FZ28 can record video clips in HD, albeit at the low end of the HD range, Venus Engine IV image processor, a 230,000 dot 2.7-inch LCD display, and ISO 6,400 equivalent in High Sensitivity Auto mode. The 1/2.33-inch CCD image sensor is a bit larger than most other cameras in this class, with the wide-angle Leica lens with an 18x optical zoom remaining the same.

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