Five (+1) Frames With A Nokia Lumia 720, At The Car Wash

Nokia Lumia 720

Mobile Photography - Images at the carwash, as seen from the driver's seat.

<< Click on image for enlarged Lightbox display >>

A little bit of fun here, images of a scene at the carwash, captured on my almost obsolete smartphone. The images were taken from the driver's seat of the car I was driving with the camera held steady atop the steering wheel.

They are slightly wider and taller than the images displayed here, which have been cropped to eliminate image edge, and top and bottom distractions for a more panoramic view when compared to the original 16:9 image aspect ratios.

While good at wide-angle vistas, landscapes, and on occasions close range still life, portrait, and group shots, I do find that the 26mm. The focal length equivalent lens of my smartphone is always slightly wider than I would like it to be, making cropping a certainty in many of the shots.

VintageCameraMarketplace by ImagingPixel

Malaysia's Online Marketplace for Vintage Film and Digital Cameras, Lenses,
and Camera Accessories. Follow ImagingPixel on Facebook, Pinterest, and Twitter.

Five Frames With A Konica Hexanon AR 50mm F1.8, First Impression

Vintage Lens Test - First impression test with a Konica Hexanon AR 50mm F1.8 lens.

<< Click on image for enlarged Lightbox display >>

I did a digital moments session on the Konica Hexanon AR 40mm F1.8 a couple of weeks ago, and now it is the turn of the 50mm f/1.8, both of which were fitted to my digital Pen E-P5 with an aftermarket Konica-M43 mount adapter.

Both are manual focus primes that you might take a while to get used to. One thing you find about both of these lenses was the aperture ring locks the lens into the AE setting just past the f/22 stop, which can be a bit annoying to find the lock and unlock it again.

Konica Hexanon AR 50mm f/1.8

Images rendered by this 50mm are softer and are less contrasty when compared to the AR 40mm pancake, and when shot at less than wide open, bokeh tends to have a more pronounced hexagonal shape by the Hexanon's six-bladed iris.

Olympus Pen E-5, Konica Hexanon AR 50mm f/1.8

I shoot in RAW, post-process the images on Olympus Viewer 3 (OV3), and have recently begun experimenting with Sharpener Pro from Google Nik Collection for final sharpening.

VintageCameraMarketplace by ImagingPixel

Malaysia's Online Marketplace for Vintage Film and Digital Cameras, Lenses,
and Camera Accessories. Follow ImagingPixel on Facebook, Pinterest, and Twitter.

Five Frames With An Olympus Pen FT, Nighthawk

Half Frame Photography - Half-frame images with an Olympus Pen FT, the half-frame SLR, on a night out with the F.Zuiko Auto-S 38mm F1.8.

<< Click on image for enlarged Lightbox display >>

This is my take on Edward Hopper's Nighthawks, interpreted on an Olympus Pen FT with an F.Zuiko Auto-S 38mm F1.8 lens. The images here are nothing close to the painting though, it was never meant to be.

The whole point here is the fact that using film and film cameras for night photography may have more advantages than doing so with digital. All you need is a mechanical film camera with a cable release for B(bulb) exposure and a stable surface or a tripod will do.

Olympus Pen FT, F.Zuiko Auto-S f/1.8 38mm

The choice of film type (color negatives, slide film) is yours to decide, and the ASA film speed will determine the graininess of the image.

The next best thing is to use a fast, prime lens, such as a 35mm F2 for night shots. These here were taken with the F.Zuiko 38mm F1.8. It might be possible to use an f/4 lens in areas that are brighter, but the idea of having a good depth of field control and expanded opportunities shooting at f/2.8, f/2, or even at f/1.8 is the way to go.

Film⁺ Camera Marketplace by ImagingPixel

Malaysia's Online Marketplace for Used Film and Digital Cameras, Lenses,
and Camera Accessories. Follow ImagingPixel on Facebook, Pinterest, and Twitter.

Five Frames With A Konica Hexanon AR 40mm F1.8, First Impression

Vintage Lens Test - First impression with the Konica Hexanon AR 40mm F1.8 lens.

<< Click on image for enlarged Lightbox display >>

A digital moment session with a vintage film camera lens that will not burn a hole in your pocket, the pancake Konica Hexanon AR 40mm F1.8, a standard lens shipped with some Konica SLRs starting in 1979 and produced throughout the early 80s.

Olympus Pen E-P5, Konica Hexanon AR 40mm F1.8

The lens seems to be rather popular with mirrorless digital camera enthusiasts. The Konica AR mount has the shortest flange focal distance of any 35mm SLR system, and together with the M4/3 adapter that I use, the combo turns out to be a very compact package. The lens itself is 6 elements in 5 groups design, fairly light at 140g (5oz), with a minimum focus distance is 0.45m (1.5ft). The diaphragm has 6, slightly curved, blades.

Olympus Pen E-P5, Konica Hexanon AR 40mm F1.8

Another acknowledgment about the lens is that its build quality is rather good for such a low-cost lens. On the E-P5, the lens has an effective focal length of 80mm, which is well suited for portrait shooters.

VintageCameraMarketplace by ImagingPixel

Malaysia's Online Marketplace for Vintage Film and Digital Cameras, Lenses,
and Camera Accessories. Follow ImagingPixel on Facebook, Pinterest, and Twitter.

Crop-Frame Panoramas With An Olympus LT Zoom 105

Analog Diary - Film photography favorites, five (+1) frames with an Olympus LT Zoom 105 Panorama QD, cropped-frame panoramas.

<< Click on image for enlarged Lightbox display >>

A category of 35mm film cameras capable of taking panoramas are cameras with the crop-frame feature. These are normally full-frame 35mms cameras with a switch or lever that activates a pair of blind or crop film gates that will reduce the 24 x 36 mm frame size to about 14mm x 36mm.

Olympus LT Zoom 105 Panorama QD

The Olympus LT Zoom 105 QP is one of these cameras. The panorama switch lever is located at the back of the top plate, towards the left side of the body. When activated, the lever will not only set the film gate to the panoramic shooting position but will also activate another pair within the viewfinder window, making the viewfinder panoramic as well.

As all images are still captured on the 24mm x 36mm film frame, you are free to switch between the two shooting modes - full-frame and cropped-frame panorama - on any frame you wish to do so. Aside from the diminutive viewfinder, the autofocus and fully automatic retro-style LT Zoom 105 with the Zuiko 38-105mm F4.5-8.9 zoom lens are quite fun to use.

VintageCameraMarketplace by ImagingPixel

Malaysia's Online Marketplace for Vintage Film and Digital Cameras, Lenses,
and Camera Accessories. Follow ImagingPixel on Facebook, Pinterest, and Twitter.