Monday, March 12, 2018

Street Squares, SMC Pentax-M 40mm F2.8

Street Squares, SMC Pentax-M 40mm F2.8 01
Street Squares, SMC Pentax-M 40mm F2.8 02
Street Squares, SMC Pentax-M 40mm F2.8 03
Street Squares, SMC Pentax-M 40mm F2.8 04
Street Squares, SMC Pentax-M 40mm F2.8 05
Pentax MX, SMC Pentax-M 40mm F2.8

Analog Diary:

Street Squares, SMC Pentax-M 40mm F2.8

'Five frames with the SMC Pentax-M 40mm F2.8, square-cropped images shot with the Pentax MX'

Had the Pentax MX mounted with an SMC Pentax-M 40mm F2.8, spent about an hour scouting this downtown area, with a limit set to half a roll of a 36-shot film canister. I already had my mindset on using the other half roll of film on another camera.

Pentax MX, SMC Pentax-M 40mm f/2.8

The SMC Pentax-M 40mm F2.8 is a marvel of a lens actually, a full-frame lens that comes in an incredibly compact form factor with a depth of only 18mm.

At 110 grams body weight, the lens is much lighter than other primes of that era. It is well made, metal and glass throughout, with a well-damped focus throw, snappy aperture stops, with a very smooth focus ring.

With a 40mm focal length, the lens is a wider than a standard 50mm prime, and a little bit narrower than the wide-angle 35mm, and to me, is just about right for general-purpose photography and is equally suited for street photography where spaces are sometimes slightly tight and where your surrounding is rather confined.

Pentax MX, SMC Pentax-M 40mm f/2.8

Reportedly, the lens is not as sharp wide open, with the tendency to show light fall-off and color-fringing towards the corners of the image. For my shoot, however, I was not bothered by the effects as I was on an aperture range between f/5.6 to f/11 on a beautiful bright and sunny day. Converting the images to black-and-white, and the crop to 1:1 image aspect ratio adds to the finesse of the images.


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