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Monday, November 20, 2017

Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair

Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair 01
Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair 02
Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair 03
Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair 04
Minolta AF 50mm 1:1.7, Analog Diary, Early At The Fair 05
Film photography favorites, image making with a Maxxum AF 50mm 1:1.7, on a Minolta Alpha Sweet.
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The A-mount Minolta AF 50mm 1:1.7 is a very compact lens, the smallest that Minolta made during its production run, shipped as a 'kit' lens type. The filter size is 49mm. On the Alpha Sweet, the AF 50mm auto-focuses quickly and accurately, and being the RS version, the focus throw is shorter than the original non-RS version.

Manual focusing is equally easy, quick, and smooth with the 1/4 turn from close-in to infinity. The feet and meter focus distance scales are engraved on an inner barrel which is visual through a window opening. DoF (Depth of Field) hash marks are engraved on the outer barrel.

Minolta Alpha Sweet, Minolta AF 50mm 1:1.7

As for the event itself, my visit was early in the day the fair started, stalls and sellers were set and ready while the crowd was just trickling in. I had a roll of Kodak ColorPlus 200 installed in the camera, grabbed these few shots, and a few more, but decided later that the post-processed black and whites were the better option for this presentation.

Minolta Alpha Sweet, Maxxum AF 50mm f/1.7
Minolta Alpha Sweet, Minolta AF 50mm 1:1.7

The camera and lens combination was light and handy, functioned flawlessly, and I was happy to see that the lens stood up to its billing. Minolta A-mount lens, is of course, completely functional with Sony Alpha A-mount APS-C or Full-Frame cameras.



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