Monday, November 6, 2017

A Mixed Bag of Images, Maxxum AF 35-70mm F4

A Mixed Bag of Images, Maxxum AF 35-70mm F4 01
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Minolta Alpha Sweet, Minolta AF 35-70mm 1:4

Analog Diary:

A Mixed Bag of Images, Maxxum AF 35-70mm F4

'Five frames with the Maxxum AF 35-70mm F4, and a mixed bag of images on the Minolta Alpha Sweet'

The Minolta AF 35-70mm 1:4, first introduced as a kit lens in 1985 with the launch of the Maxxum 700 A-mount camera system, which is rather short and compact, was a popular choice then. The lens is acknowledged to be sharp all the way up, and it comes with a Macro mode for magnification of up to 0.25x.

Minolta Alpha Sweet, Minolta AF 35-70mm f/4

As one of the better lenses from the early Minolta period, the lens is also on the list of recommended lenses for current Sony Alpha camera users, both for ASP-C and full-frame sensors.

Trying the lens out on the Minolta Alpha Sweet was also fun and easy. A plastic-bodied lightweight, the Alpha Sweet (a.k.a Dynax 505si Super in Europe, Maxxum XTSI in the Americas) comes with PASM modes, a sophisticated 14-segment honeycomb-metering pattern, a three-point Crosscut AF sensor, and eye-start operation.

Minolta Alpha Sweet, Minolta AF 35-70mm f/4

Using the camera was also a fresh change for me, a change from manual focus and cranked film forward cameras to an era of PASM modes and autofocus point-and-shoot simplicity, much like what you do today with your digitals.

Best of all, of course, is the chance to enjoy the 'Minolta Magic,' the combination of color and contrast rendered by Minolta lenses that you must experience to appreciate.


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