Monday, July 24, 2017

Konica Hexanon AR 50mm F1.8

Konica Hexanon AR 50mm F1.8 01
Konica Hexanon AR 50mm F1.8 02
Konica Hexanon AR 50mm F1.8 03
Konica Hexanon AR 50mm F1.8  04
Konica Hexanon AR 50mm F1.8  05
Olympus Pen E-5, Konica Hexanon AR 50mm f/1.8

Digital Moments:

Konica Hexanon AR 50mm F1.8

'Five frames with the Konica Hexanon AR 50mm F1.8, images from and around the garden'

I did a digital moments session on the Konica Hexanon AR 40mm F1.8 a couple of weeks ago, and now it is the turn of the 50mm f/1.8, both of which were fitted to my digital Pen E-P5 with an aftermarket Konica-M43 mount adapter.

Olympus Pen E-5, Konica Hexanon AR 50mm f/1.8

Both are manual focus primes that you might take a while to get used to. One thing you find about both of these lenses was the aperture ring locks the lens into the AE setting just past the f/22 stop, which can be a bit annoying to find the lock and unlock it again.

Images rendered by this 50mm are softer and are less contrasty when compared to the AR 40mm pancake, and when shot at less than wide open, bokeh tend to have a more pronounced hexagonal shape by virtue of the Hexanon's six-bladed iris.

Olympus Pen E-5, Konica Hexanon AR 50mm f/1.8

I shoot in RAW, post-process the images on Olympus Viewer 3 (OV3), and have recently begun experimenting with Sharpener Pro from Google Nik Collection for final sharpening.


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