One lens I could never miss out on is the Nikon series, and even with the lowly Series E variant, images are always beyond superlatives...
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Monday, April 25, 2022
Nikon Series E 50mm 1:1.8, Calm and Collected
Monday, April 18, 2022
Minolta MD W.Rokkor-X 28mm 1:2.8, Sunrise
Being the occasional early riser, I do take the opportunity of looking out across to the park at the break of the sun, occasionally with a camera in hand. This one of those days, and for the shots, the Olympus E-P5 was fitted with a vintage Minolta MD W.Rokkor-X 28mm 1:2.8.
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Monday, April 11, 2022
Lumax Gold Star 200mm 1:4, In Black and White
The lens was a surprise find, I have no prior ideas or knowledge about its presence or make. It came through the mail out of a job-lot sale. Big and bulky, the lens it seems, is made by Sankor, is a pre-set with an M42 mount, weighs in at a hefty 670 grams, and has many blades which I have yet to count.
When it came, Lumax Gold Star 200mm 1:4 was less than perfect though, it has a few tufts of fungal sprawls within its inner elements but surprisingly, it is virtually dust-free. An interesting bonus to me was the built-in tripod mount on a rotating ring, which makes it convenient for me to mount on the E-P5 via an M42 mount adapter.
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Monday, April 4, 2022
Minolta MC Celtic 135mm 1:2.8, Square Cuts
My first impression test was with a Minolta MC Celtic 135mm 1:2.8, the later version (1992-97) with a built-in lens hood. A bit sad though, cause the lens came with a spot of minor fungal infection within its lens elements.
Regrets aside, I was more than surprised at the image quality as captured, tripod mounted, on the Pen E-P5. All shots were taken at 1:2.8. The lens is heavyweight, all-glass, and metal, weighs in at 575 grams, has top-notch mechanical quality, takes 55mm filters, and comes with a minimum focusing distance of 1.5 meters.
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