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Monday, June 27, 2022

Photax 400mm 1:6.3 T-Mount Preset, Take I

Photax 400mm 1:6.3 T-Mount Preset, Vintage Lens Test, Take I 01
Photax 400mm 1:6.3 T-Mount Preset, Vintage Lens Test, Take I 02
Photax 400mm 1:6.3 T-Mount Preset, Vintage Lens Test, Take I 03
Photax 400mm 1:6.3 T-Mount Preset, Vintage Lens Test, Take I 04
Photax 400mm 1:6.3 T-Mount Preset, Vintage Lens Test, Take I 05
Vintage Lens Test: First impression images with a T-Mount Photax 400mm F6.3, from across the road.
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What a surprise find!.

I was not too sure what I got into when I placed the order for the low-priced offer T-mount 400mm F6.3, believed to be a Tokina RMC, as sold under the Photax name, and also available as an Astranar, Impakt, D&N, Prinz-Galaxy, and many others.

Olympus E=P5, Photax 400mm F6.3
Olympus E=P5, Photax 400mm F6.3

The 4 elements in a 3-groups dual-ring preset 'long-tube' telescope have their fair share of accolades, with most reviewers commenting on its sharpness, and with the fair amount of fungal infection, I found within the elements of the lens, a lower contrast threshold. Had the camera mounted via ita built-in tripod mount for these shots (800mm equivalent on the 2x crop sensor), taken wide-open (@ 6.3 of course), and the images post-processed.



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Monday, June 20, 2022

HMD Nokia 3.1, Just A Short Hop

HMD Nokia 3.1, Mobile Photography, A Short Hop 01
HMD Nokia 3.1, Mobile Photography, A Short Hop 02
HMD Nokia 3.1, Mobile Photography, A Short Hop 03
HMD Nokia 3.1, Mobile Photography, A Short Hop 04
HMD Nokia 3.1, Mobile Photography, A Short Hop 05
Mobile Photography: Image making with an HMD Nokia 3.1, just a short hop between stations.
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Just a short hop, from one station to the other. Compared to my previous outing which was on A Sultry Morning, this one was on a gloriously bright and sunny day. The sun was out bright and sunny, the air was fresh and crisp, and after the morning rush, you were at the station almost by yourself.



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Monday, June 13, 2022

Canon FL 50mm 1:1.8, First Impression

Canon FL 50mm 1:1.8, Vintage Lens Test, First Impression 01
Canon FL 50mm 1:1.8, Vintage Lens Test, First Impression 02
Canon FL 50mm 1:1.8, Vintage Lens Test, First Impression 03
Canon FL 50mm 1:1.8, Vintage Lens Test, First Impression 04
Canon FL 50mm 1:1.8, Vintage Lens Test, First Impression 05
Vintage Lens Test: Image making with a Canon FL 50mm 1:1.8, first impression.
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Canon FL-series lenses, which replace the earlier Canon R lens mount, were introduced in April 1964 and were the standard mount for Canon FX (1964), FP (1964), Pellix (1965), FT QL (1966), Pellix QL (1966), and Canon TL (1968) cameras. It was replaced in 1971 when the Canon FD mount was launched with the Canon F1.

Olympus E-P5, Canon FL 50mm 1:1.8
Olympus E-P5, Canon FL 50mm 1:1.8

The 50mm 1.8, 6 elements in 4-groups construction, can be found in two iterations, identical externally, but with the optics on the later optimized for improved performance. The iterations are distinguished by weight - Type I weighs in at 228 grams while Type II is at 280 grams. These first impression images were shot on Type I.

Canon FL mount lenses can be used on FD-mount cameras in stop-down metering mode.



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Monday, June 6, 2022

Nikon Nikkor Ai-S 35mm 1:2, A New Look

Nikon Ai-S Nikkor 35mm 1:2, Vintage Lens Test, A New Look 01
Nikon Ai-S Nikkor 35mm 1:2, Vintage Lens Test, A New Look 02
Nikon Ai-S Nikkor 35mm 1:2, Vintage Lens Test, A New Look 03
Nikon Ai-S Nikkor 35mm 1:2, Vintage Lens Test, A New Look 04
Nikon Ai-S Nikkor 35mm 1:2, Vintage Lens Test, A New Look 05
Vintage Lens Test: Image updates with the Nikon Ai-S Nikkor 35mm 1:2 lens.
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I acquired another copy of the Nikon Nikkor 35mm F2 recently, an Ai-S version this time, and took these sample shots just to ensure me that the lens is, as expected, an excellent performer equal to that of the Ai version which I posted a few years back.

Olympus E-P5, Nikon Ai-S Nikkor 35mm 1:2
Olympus E-P5, Nikon Ai-S Nikkor 35mm 1:2

The Nikkor 35mm F2, with its 8 elements in 6-group optics, has been in production since it was first launched in 1965. While the optics formula of the lens has remained the same, the lens body and mechanicals have undergone continuous improvements and revisions. The glass also went from a single coat in amber, then blue (-C), and was multicoated for the last three decades. The AI-s version was in production from 1981 to 2005.



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