Monday, November 13, 2017

Digital Moments: AF Nikkor 50mm 1:1.8 D

Digital Moments: AF Nikkor 50mm 1:1.8 D 01
Digital Moments: AF Nikkor 50mm 1:1.8 D 02
Digital Moments: AF Nikkor 50mm 1:1.8 D 03
Olympus E-P5, AF Nikkor 50mm 1:1.8 D

AF Nikkor 50mm 1:1.8 D

AF Nikkor 50mm 1:1.8 D
'A quick take session with an AF Nikkor 50mm 1:1.8 D adapted to an Olympus E-P5'

I did not waste any time at all when I was given the chance to test out the AF Nikkor 50mm 1:1.8 D. Fitted the lens to my Olympus E-P5 with a third-party adapter, whizzed into the garden and came back a couple of minutes later with these images, and a few more.

The 50mm AF Nikkor came with the reputation of being super sharp and is highly recommended as one of the budget lenses or as a prime to start your camera system with. It is very affordable, with plenty of listing on auction sites, and one you can easily acquire at about half the cost of a new one.

Digital Moments: AF Nikkor 50mm 1:1.8 D 04

AF Nikkor 50mm 1:1.8 D
The lens is a lightweight, weighing in at 155 grams, built of plastic with metal mount, and is highly recommended for travel, portraits, or general photography.

On the Olympus E-P5, the lens has an equivalent focal length of 100mm, the balance feels just right, it does not add any more weight to the camera for you to worry about, and with a closet focusing distance of 0.45m, framing for these minimal's are just about right, but getting the image focussed (manually of course) is something you have to get used to.

The gripe I had, as the lens can only be focused manually on the E-P5, is the corse and gritty plastic feel of the focusing ring. It has none of the legendary smoothness of a manual focus Nikkors (of the past). Though well built, the lens is still a product of the cost-cutting economic plastic era, leaving you the feeling that the lens is best left on an AF Nikon where focusing is a mechanical assist.

Digital Moments: AF Nikkor 50mm 1:1.8 D 05

Though not as sharp as you would expect the images to be (my bad), the image quality of these Nikon crisps is something you can be delirious about.

Digital Moments: AF Nikkor 50mm 1:1.8 D 06

The lens itself has a long built history, starting with several manual version since first introduced in 1978. It is a full-frame FX lens, and it works with every Nikon ever made, digital and film, auto and manual focus. It will not, however,  autofocus on low-end digitals like the D40 and D40x, or the F3.

Olympus E-P5, AF Nikkor 50mm 1:1.8 D

The AF version first appeared in 1986, was slightly changed in 1990, and the AF-D version released in February 2002, complementing the launch of the F90x (N90s in the States), which provides for the innovative distance information for metering and ambient/TTL flash exposure calculation.

Well, if you have a camera that is compatible, this is one for the price and image quality.


Resource Links:
Nikon 50mm f/1.8 D Review
Nikon 50mm f/1.8D AF Nikkor

Monday, November 6, 2017

Analog Diary: A Mixed Bag of Images

A Mixed Bag of Images, Minolta AF 35-70mm f/4 01
A Mixed Bag of Images, Minolta AF 35-70mm f/4 02
A Mixed Bag of Images, Minolta AF 35-70mm f/4 03
Minolta Alpha Sweet, Minolta AF 35-70mm 1:4

A Mixed Bag of Images

Minolta Alpha Sweet, Minolta AF 35-70mm f/4
'A quick shoot session with the Minolta Alpha Sweet 35mm SLR and Minolta AF 35-70mm f/4 lens'

The presentation is a slight diversion from my usual thematic style of making images to one which is a mixed bag of images, with random and unplanned shots.

These images are a quick take session with the Minolta Alpha Sweet 35mm SLR and a Minolta AF 35-70mm f/4 kit that just came through the mail.

A Mixed Bag of Images, Minolta AF 35-70mm f/4 04

Minolta Alpha Sweet, Minolta AF 35-70mm f/4
I was so excited about the kit that I did not waste much time loading the camera with a fresh roll of Kodak ColorPlus 200, walking out of the front door into the bright and sharp sunshine, started shooting and went through the roll of film in no time at all.

A plastic-bodied lightweight, the Alpha Sweet (a.k.a Dynax 505si Super in Europe, Maxxum XTSI in the Americas) comes with PASM modes, a sophisticated 14-segment honeycomb-metering pattern, a three-point Crosscut AF sensor, and eye-start operation.

A rapid subject-program mode selection for Portrait, Landscape, Close-up, Sports, and Night Portrait subject programs sits along the top edge of the LCD data panel.

A Mixed Bag of Images, Minolta AF 35-70mm f/4 05

The Minolta AF 35-70mm 1:4, first introduced as a kit lens in 1985 with the launch of the Maxxum 700 A-mount camera system, which is rather short and compact, was a very popular item then. The lens is supposedly sharp all the way up, and it comes with a Macro mode for magnification of up to 0.25x.

A Mixed Bag of Images, Minolta AF 35-70mm f/4 05

As one of the better lenses from the early Minolta period, the lens is also on the list of recommended lenses for current Sony Alpha camera users, both for ASP-C and full frame sensors.

You can also set the camera for Spot AF to lock both focus and exposure, Spot Metering, Exposure Compensation, Multiple Exposures, Exposure Bracketing, Flash Syncs, and set personal shooting style or preference of up to nine custom functions.

Minolta Alpha Sweet, Minolta AF 35-70mm f/4

Using the camera was also a fresh change for me, a change from manual focus and cranked film forward cameras to an era of PASM modes and autofocus point-and-shoot simplicity, much like what you do today with your digitals. Loading the camera is fast and easy, the eye-start system is one for a rapid, and practically instantaneous, response after switching on.

Best of all, of course, is the chance to enjoy the 'Minolta Magic,' the combination of color and contrast rendered by Minolta lenses that you must experience to appreciate.


Resource Links:
Minolta Maxxum XTsi SLR
Alex Kunz Taipei

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