Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
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Showing posts with label Canon EF-S. Show all posts
Showing posts with label Canon EF-S. Show all posts
Friday, October 17, 2025
Thursday, October 16, 2025
The Galleria, Photo of the Day
Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
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Wednesday, October 15, 2025
The Galleria, Photo of the Day
Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
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Tuesday, October 14, 2025
The Galleria, Photo of the Day
Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
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Monday, October 13, 2025
Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
Cameras and Lenses: Images with a Canon EF-S 24mm f/2.8 STM, an exceptional pancake lens known for its ultra-portable design, and sharp optics, a compact and lightweight setup with a 'sweet spot' 38mm full-frame equivalent lens on the EOS Kiss Digital X.
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While not wanting my GAS (Gear Acquisition Syndrome) obsession to spiral out of control, I recently reverted to a low-cost 10.1MP CMOS APS-C sensor Canon EOS Kiss Digital X (Digital Rebel XTi / EOS 400D) from 2006, mounted with a Canon EF-S 24mm f/2.8 STM from 2014, for a shoot and to experience what the 40mm, often praised as the 'sweet spot' focal length, is all about.
The 40mm is gaining a lot of attention among photo enthusiasts as a focal length choice for a unique image blend that can be both contextual and isolative.
The Canon EF-S 24mm f/2.8 STM, an ultra-slim 'pancake' prime designed for APS-C EOS cameras, was introduced with the launch of the compact body EOS Kiss X7 (Rebel SL1) in 2014, with key features that includes a smooth Stepped Motor (STM) quiet enough to be well accepted for movie recording, a close minimum focusing distance of 0.16 meters, and a small size that makes it the thinnest EF-S lens available.
The lens is one of three EF-S lenses produced by Canon (others are the EF-S 35mm f/2.8 Macro IS STM and EF-S 60mm f/2.8 Macro USM). It is a 6-element in 4 groups, with a 7-rounded blade design, measures 69.2mm in diameter and 23.7mm in length, weighs 125 grams, and takes 49mm filters. The lens is now out of production.
On the Kiss Digital X, which has a 1.6x crop sensor, the EF-S 24mm f/2.8 is directly equivalent to a 38.4 mm lens on a full-frame camera. The focal length provides the flexibility to allow photographers to capture detailed shots and connect with their subjects while still maintaining a sense of place. Its relatively compact size and unobtrusive nature make it also a great everyday go-to lens.
Unique to the 40mm focal length is the nomenclature given to it as a 'sweet spot' lens, when generally, the term is given to recognize the specific aperture for achieving maximum sharpness with lenses. The 40mm focal length provides a field-of-view with natural perspective that closely mimics the way the human eye sees, with the ability to provide a good balance for both wide scenes and more detailed shots. The lens is a very versatile choice for various genres of photography, including street photography, documentary work, travel, everyday candid shots, and architectural photography.
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The Kiss Digital X, a 2006 update of the Kiss Digital N (EOS Digital Rebel XT / EOS 350D) released earlier in 2005, is an entry-level digital SLR camera that offers a good balance of image quality, responsiveness, and user-friendly features. The camera has a 10.1MP CMOS sensor, a newly introduced integrated dust-reduction system, a 230,000-dot 2.5-inch LCD screen, improved buffer performance, a 9-point AF system inherited from the higher-end EOS 30D, and a clear and concise menu system that enhances the camera's ease of use.
Canon EOS Kiss Digital X, Canon EF-S 24mm f/2.8 STM
Although short on advanced features such as live view, video capture, and higher ISO performance compared to later EOS models, the Kiss Digital X is a solid choice for beginner photographers (and vintage enthusiasts) seeking a low-cost platform to start with, or to experience the Canon EOS digital pedigree. The camera is robustly built and is known for its solid image quality, and despite being nearly 20 years old, the camera I had still functions perfectly well with its silky-smooth shutter actuation and near-inaudible reflex mirror flap.
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Friday, March 14, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Thursday, March 13, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Wednesday, March 12, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm 1:3.5-5.6 IS
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Tuesday, March 11, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Monday, March 10, 2025
Canon EOS Kiss X3, EF-S 18-55mm f/3.5-5.6 IS
Camera and Lenses: Walking the zoom with a Canon EF-S 18-55mm f/3.5-5.6 IS, the TIPA award winner standard zoom kit lens with Canon APS-C DSLRs, a 28.8-88mm full-frame equivalent on the EOS Kiss X3.
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The Canon EF-S 18-55mm f/3.5-5.6 IS, a standard zoom kit lens supplied with Canon APS-C DSLRs, is equivalent to a 28.2 to 88mm zoom in the full-frame format.
The lens, the second iteration of the 18-55mm f/3.5-5.6 series, was launched with the semi-professional EOS 40D in 2007, and the entry-level EOS 450D in 2008.
The lens is Image Stabilized (IS), which Canon claims offers up to four f-stops of shutter speed advantage, and focuses down to 0.25 meters at all focal length settings.
The lens was also included as the standard zoom kit for the entry-level Canon EOS 500D in 2009 before being updated by the 18–55mm 1:3.5–5.6 IS II, bundled with the EOS 600D and 1100D in 2011.
The lens, including the EF-S mount, is primarily made from hard polycarbonate plastic. It is lightweight at 200 grams, measures 68.5 mm × 70 mm, has 11 elements in nine groups, six circular aperture blades, and takes 58mm filters.
The IS (Image Stabilization) system that was implemented uses a combination of gyro sensors, a microprocessor, and special lens elements to detect and correct camera shake, with images that remain stationary on the camera sensor.
The lens design includes a precision aspherical element for aberration correction, particularly spherical aberrations, to ensure optimum image quality across all focal lengths. Externally, it is a double-barrel design with a fixed outer barrel and an inner barrel that extends approximately 20 mm out from the camera body when the lens is set to its maximum 55mm focal length.
The lens is engraved with markings for the 18mm, 24mm, 35mm, and 55mm settings on a metal ring forward of the index mark for setting the focal length on the top of the lens mount section. The lens, Canon's first-generation IS, is designed to be primarily hand-held. When using a tripod, the image stabilizer had to be switched off manually.
For the later version of the lens, this action is no longer necessary; it can detect when a tripod is being used, and 'IS' is switched off automatically. The lens is a good choice for general photography and will suit subjects as diverse as scenery and portraiture.
Externally, the lens is a double-barrel design with a fixed outer barrel and an inner barrel that extends approximately 20 mm out from the camera body when the lens is set to its maximum 55mm focal length. It is the shortest between 28 and 35mm and protrudes roughly 10mm out when zoomed back to 18mm. Manual focusing is by a narrow ring attached to the front end of the inner barrel, while zooming is a quarter turn of the outer barrel itself.
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
On the EOS Kiss X3, the lens was tested for the zoom walk; the focal range allows for the convenience of shots from the wide 28mm to moderate telephotos at 80mm without the need to change or switch lenses. The robust EF-S 18–55mm lens 1:3.5–5.6 IS combines well with the Kiss X3 for a compact and lightweight digital SLR system that one can quickly learn to get used to. The lens is equally up to the task with macros and close-ups.
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Friday, February 14, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Thursday, February 13, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Vintage Camera Marketplace by ImagingPixel
Wednesday, February 12, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Vintage Camera Marketplace by ImagingPixel
Tuesday, February 11, 2025
The Galleria, Photo of the Day
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
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Vintage Camera Marketplace by ImagingPixel
Monday, February 10, 2025
Canon EF-S 18-55mm f/3.5-5.6 IS, A Vintage Find
Cameras and Lenses: Images with a vintage Canon EF-S 18-55mm f/3.5-5.6 IS, a TIPA award winner entry-level kit zoom lens, a 28.8-88mm full-frame equivalent on the EOS Kiss X3.
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Canon introduced the EF-S lens mount system with the launch of the entry-level Canon EOS 300D (EOS Digital Rebel in the US, EOS Kiss Digital in Japan) in 2003. The camera was packaged with the EF-S 18-55mm f/3.5-5.6 as the standard kit lens.
The lens was updated to the EF-S 18-55mm f/3.5-5.6 IS in 2007 as the kit lens for the Canon EOS 40D, with improved optical quality and is Image Stabilized (IS) to reduce blur from camera shake.
The IS (Image Stabilization) system uses gyro sensors, a microprocessor, and special lens elements to detect and correct camera shake, resulting in images remaining stationary on the camera sensor. Canon claims that the system is effective up to four stops.
The lens, a wide-angle to mid-telephoto zoom with a 35 mm equivalent focal length of 28.8 – 88mm, is primarily made from hard polycarbonate plastic, including the EF-S mount. It is lightweight at 200 grams, measures 68.5 mm × 70 mm, has 11 elements in nine groups, including a precision aspherical element, six circular aperture blades, a closest focusing distance of 0.25 meters, and takes 58mm filters.
Externally, the lens is a double-barrel design with a fixed outer barrel and an inner barrel that extends approximately 20 mm out from the camera body when the lens is set to its maximum 55mm focal length. It is the shortest between 28 and 35mm and protrudes roughly 10mm out when zoomed back to 18mm. Manual focusing is by a narrow ring attached to the front end of the inner barrel, while zooming is a quarter turn of the outer barrel itself.
Indentations for the 18mm, 24mm, 35mm, and 55mm focal length marks are engraved on a metal ring forward of the index mark for setting the focal length, located on the top of the lens mount section. The lens, though, being Canon's first-generation IS, is designed to be primarily hand-held.
When using a tripod, the image stabilizer had to be switched off manually, an action no longer necessary with follow-up versions, as the lenses detect when a tripod is being used and 'IS' is switched off automatically.
On the Canon EOS Kiss X3, the focal range allows for wider shots from 28mm to moderate telephotos at 80mm without needing to change or switch lenses, a good starting point for learning photography. The robust EF-S 18–55mm lens 1:3.5–5.6 IS combines well with the Kiss X3 for a compact and lightweight digital SLR system to learn from and to get used to quickly. With a closest focusing distance of 0.25 meters, macro and close-ups with the lens are equal to the task.
Canon EOS Kiss X3, Canon EF-S 18-55mm f/3.5-5.6 IS
The lens is easily available from auction sites or brick-and-mortar store shelves with low-start bids, or 'buy-now' offers. The compact design, versatility, and image stabilization make the EF-S 18-55mm f/3.5-5.6 IS a popular choice among Canon users, with recommendations that the lens is of good value with excellent image quality. Others commented that the lens is a good choice for beginners who want to learn photography and explore the outdoors. Go get it!
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Friday, December 20, 2024
The Galleria, Photo of the Day
Canon EOS 400D, Canon EF-S 24mm f/2.8 STM
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Thursday, December 19, 2024
The Galleria, Photo of the Day
Canon EOS 400D, Canon EF-S 24mm 1:2.8 STM
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Wednesday, December 18, 2024
The Galleria, Photo of the Day
Canon EOS 400D, Canon EF-S 24mm 1:2.8 STM
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Vintage Camera Marketplace by ImagingPixel
Tuesday, December 17, 2024
The Galleria, Photo of the Day
Canon EOS 400D, Canon EF-S 24mm f/2.8 STM
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Vintage Camera Marketplace by ImagingPixel
Monday, December 16, 2024
Canon EOS 400D, Canon EF-S 24mm f/2.8 STM
Cameras and Lenses: Images with an early digital-era Canon EF-S 24mm f/2.8 STM, praises for its ultra-slim pancake design, and featherlight weight, on a vintage Canon EOS 400D.
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For whatever it was, I was recently gifted with a beat-up and what looked like a run-down Canon EOS 400D by close family kin, with the LCD screen frosted to almost a no-go with its display and showing other ailments in need of TLC.
The camera came with an attached BG-E3 battery grip, sans the pair of batteries it needs to run, no charger, and an off-brand monster of a 70-300mm lens, which turned out to be non-functional and was kept aside.
It was another week of waiting for replacement batteries and a charger to arrive, so the camera could be tested to see if it was running.
With the batteries, an alternative lens (an EF-S 24mm f/2.8 STM for the equivalent of a 40mm prime on a 35mm full-frame camera), and a CF card installed, the camera sputtered back to life and showed all the signs, except for the LCD display, of a perfectly working unit, which it is.
The entry-level Canon EOS 400D (Digital Rebel XTi in North America, EOS Kiss Digital X in Japan) digital SLR camera, a relatively compact and lightweight successor of the Canon EOS 350D, was launched by Canon in 2006. The camera, great for travel and a light-pack need, has a 10.1MP CMOS APS-C sensor, a nine-point autofocus system, a deeper and more comfortable grip than the 350D, a retractable auto pop-up flash, and on the display system, a wide-viewing angle 230,00 pixel 2.5-inch LCD screen sans the top status screen as seen on previous models. The 400D uses the same NB-2LH Lithium battery pack as the 350D.
Technical specs for the camera include an electronically-controlled focal plane shutter with a speed range from 30 to 1/4000 second, soft-touch electromagnetic shutter, ISO sensitivity at 100 to 400 in Basis Zone mode, and from 100 to 1600 in Creative Zone mode, 35-zone full aperture TTL metering with Evaluative, Partial, and Center-weighted options, a 10-second delay self-timer, and as with the 350D, the 400D is also endowed with Canon's EOS Integrated Cleaning System which incorporates an ultrasonic self-cleaning sensor unit. The EOS 400D was succeeded by the 450D (Rebel XSi in North America, EOS Kiss X2 in Japan) in 2008.
The functions and features of the 400D are easy to use for new users while offering creative freedom for serious users. Exposure modes include Program AE (Full Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, Flash Off, Program), Shutter-Priority AE, Aperture-Priority AE, Depth-of-Field AE, Manual Exposure, and E-TTL II Autoflash. The 400D also has a picture style selection for image render pre-sets for Standard, Portrait, Landscape, Neutral, Faithful, and Monochrome emulations.
Back to the camera in hand, I resorted to using it the way SLR film cameras before the onset of the digital were used - set the mode dial to Program AE (sounds familiar?), frame the scene, release the shutter, wish for the best, and move on to the frame. No 'chimping (the habit of checking the image on the camera LCD after every shot is taken) either, the word has not been invented in the film photography world, and is not part of the vocabulary. The habit does not exist when shooting film; images are only viewable after the negative film has been sent to the lab for processing.
Though the try-out was done half-heartedly, a dry run to see if the camera was still capable of doing what it was supposed to, the images (as seen here) on the 10.1MP CMOS sensor, post-edited and framed on the desktop to the 4:5 and 5:4 image aspects, are excellent, true to the claim of what the EOS 400D is capable of. A fully working unit of the model could very well be the recommended choice for vintage enthusiasts looking at the low end of the auction market to get themselves into the genre.
Canon EOS 400D, Canon EF-S 24mm f/2.8 STM
Enough said. I might come back to the EOS 400D at a later date and do a real film photography style street shoot, or any other genre I am working in, with it. In the meantime, I have another vintage enthusiast's pick, the Canon EOS 500D (EOS Rebel T1i, EOS Kiss X3), to enjoy the time with.
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