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Olympus SP-510UZ

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Olympus SP-510UZ

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Olympus SP-510UZ, First Impression

CCD Resurgence: Low-noise night images with a 7.1MP CCD Olympus SP510UZ, a low-cost option for CCD enthusiasts.

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The Olympus SP510UZ, a 7.1MP CCD digital bridge camera, is another interesting low-cost buy for CCD enthusiasts. The SP510UZ, introduced by Olympus in 2005, comes fitted with a 6.3-63mm Olympus ED lens, and it was the last model of the SP-series (Special Performance) that used the 10x optical zoom lens.

The model was later succeeded by the SP550UZ, which has a bigger 18x zoom lens, and the SP-590UZ, which features a larger still 26x optical zoom lens. The camera stores images on xD-Picture cards or its own 21MB of internal memory.

The SP510UZ is powered by a set of 4 x AA batteries, features an EV (electronic viewfinder), a 2.5-inch LCD display, a 10x zoom lens (equivalent to 38-380mm in 35mm photography), and 5x digital zoom in a compact and lightweight plastic body.

The camera is also capable of capturing images in RAW format and features Olympus's BrightCapture technology with ISO sensitivity ranging from 50 to 4,000 (though at ISO 2,500 and above the camera's resolution drops to 3 megapixels), and a shutter speed range from 15 to 1/1000 second, and Bulb.

In addition to the range of fully automatic settings that include a suite of 21 beginner-friendly scene modes, the camera offers Aperture and Shutter Priority modes for more advanced photographers. While the camera does not have true hardware-based optical image stabilization, it offers a Digital Image Stabilization mode instead.

Olympus SP-510UZ

The system uses a gyro sensor to detect the amount of camera shake and then employs software to select a higher ISO and a faster shutter speed while tweaking sharpening to reduce blur.

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Olympus VR-370

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Olympus VR-370

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Olympus VR-370

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Olympus VR-370

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Olympus VR-370, People and Places

Creative Arts: Image making with the Magic Art Filter in Drawing mode on the 14MP CCD Olympus VR-370.

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I was out and about in the city, trying to capture the essence of the city which is ushering in the CNY 2024 spirit. Still, it looks like I ended up in the wrong location at a place that looked staid and stale with its own itinerary of events and the spirit they are celebrating. Sad, as it all seems unreal that, in these days and times of celebrative entrepreneurship, I could still find such a city spot that could not motivate or incentivize itself to the prospect of having strong economic returns by organizing and promoting recurring celebrative events.

I had fun, though, instead of doing another shoot for the 'CCD Resurgence' series, going for the special effect Magic Art Filter, in Drawing mode, on the 2013 vintage point-and-shoot Olympus VR-370, a small and compact 16MP CCD travel zoom category camera. The mode represents an image in a line art or line drawing form against a (usually plain) background without gradations in shade or hue, done usually in monochromatic. The location, just as well, was perfect for the people and place watch.

The VR-370, almost the perfect CCD vintage collectible, is a stand-out with its 12.5x optical zoom lens and a 24mm equivalent super wide-angle start that extends out to a 300mm reach. The camera has iAuto, Scene selections, Face Detection, AF Tracking, Magic Art Filters, and Beauty Mode.

Olympus VR-370

The camera is also supported by Shadow Adjustment Technology for a more uniform exposure across the image, and by Dual Image Stabilization that combines Sensor-Shift Image Stabilization with high ISO sensitivity to compensate for the image blurring due to camera shake.

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Nikon D80, Nikon Series E 35mm 1:2.5

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Nikon D80, Nikon Series E 35mm 1:2.5

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Nikon D80, Nikon Series E 35mm 1:2.5

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Nikon D80, Nikon Series E 35mm 1:2.5

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Sunny 16 Rule, Nikon Series E 35mm 1:2.5

First take with a Nikon Series E 35mm 1:2.5 on a 10MP CCD Nikon D80, fully manual exposures.

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Here I am, looking for a new drift in trying to catch the wind towards re-kindling the interest of doing still photography in fully manual exposure modes, as we did in the early days of film photography, doing it this time, though, with a digital SLR camera that only permits manual shooting mode when mounted with an old-school focus lens.

The Nikon D80, an enthusiast-grade DSLR, launched together with the semi-professional Nikon D200 in 2006, is the model I am referring to, and the lens, an equally vintage Nikon Series E 35mm 1:2.5.

The D80 comes with a 6MP CCD sensor, and has the screw-mount autofocus drive, but lacks the 'Non-CPU Lens Data' menu item or entering information about non-CPU lenses, and the aperture-indexing finger for full-aperture metering with older 'AI' lenses. When used with these old-school manual focus lenses, the D80 will only work in Manual mode, with the option of setting the ISO, shutter speed, and lens aperture opening, manually.

To get things going, these are the first batch of shots I did earlier in the morning, and as recommended, the shots were taken in color (1/100 second, ISO 100) and converted to monochrome on the tabletop image editor. On the conversion route, the images were tweaked with the green filter overlay and a 50% increase in contrast. 'Chimping' was also used during the shoot, as I did so to bracket the shots.

Nikon D80, Nikon Series E 35mm 1:2.5

The Nikon Series E lenses are also acknowledged for other excellent performance and should not be just left aside when they can still be put to good use. To get you started on the same quest as well, the Sunny 16 Rule is the way to go.

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Fujifilm FinePix BigJob HD-3W

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Fujifilm FinePix BigJob HD-3W

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Fujifilm FinePix BigJob HD-3W

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Fujifilm FinePix BigJob HD-3W

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Fujifilm FinePix BigJob HD-3W, An Early Morning Shoot

CCD Resurgence: On an early morning shoot with the 6MP CCD Fujifilm FinePix BigJob HD-3W.

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A

n early morning session with the Fujifilm FinePix BigJob HD-3W, a heavy-duty ruggedized all-weather 6MP CCD digital camera I am recommending for CCD enthusiasts who are out-and-about, and on the go. The camera is water, dust, and shockproof, can withstand a fall of up to 0.7 meters, and comes with a reinforced glass coating cover wide-angle 3x (28-84mm) optical zoom lens, a big 230,000 pixels 3-inch LCD, ISO sensitivity of up to 1600 for the low noise in low light level shots, and a powerful flash that can be set for up to 10 meters. The camera is powered by a pair of easily available AA batteries.

The camera is reminiscent of the 35mm point-and-shoot autoexposure cameras of the old, easy to use, and comes with ample-sized buttons and a layout that is equally easy to use while wearing gloves, a 5 mode exposure selection button (Auto, Manual, Scene Position, Movie, and CLS), and an equally simplified shooting menu that can be accessed through the LCD interface. The camera has an automatic shutter speed range from 2 to 1/2000 second, has a 27MB internal flash memory, and stores images on xD-Picture Cards. In Manual mode, the camera can be set to a fixed ISO sensitivity level.

Fujifilm FinePix BigJob HD-3W

When the camera was first introduced to the UK and Europe in 2007, it was also promoted as having two world firsts, a 'Detection of Manipulation' system that records whether an image has been edited since it was first shot, and CALS, a mode also takes 1-megapixel pictures for quick and easy distribution by email. The camera was perfect for forensic and insurance investigations then, and could very well be today's go-to camera for the rough-and-tough adventurous outdoors

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Pentax K-m, SMC Pentax-A 35-70mm 1:4

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Pentax K-m, SMC Pentax-A 35-70mm 1:4

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Pentax K-m, SMC Pentax-A 35-70mm 1:4

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Pentax K-m, SMC Pentax-A 35-70mm 1:4

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SMC Pentax-A 35-70mm 1:4, First Impression

CCD Resurgence: First impression images with an SMC Pentax-A Zoom 35-70mm 1:4 on the 10MP CCD Pentax K-m.

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A quick take with the small, compact, and beautifully designed SMC Pentax-A Zoom 35-70mm 1:4, the only 35-70mm Pentax lens with fixed aperture. The lens is a 7-element in 7-groups construction, solidly built, and enjoys a Sharpness rating of 8.3, Aberrations at 7.9, Bokeh at 8.1, Handling at 8.5, and Value at 8.9 on PentaxForums.

Reviews on its sharpness and image quality, which are good, colorful, and contrasty, are arching towards the accolades.

I have yet to take the lens anywhere except for the garden, and the few images here, shot in Program mode with the lens aperture setting set to 'A', seem to reflect the forum's thoughts. On the 10.2MP CCD K-m, the lens is equivalent to (about) a 50-105mm zoom on a 35mm full-frame camera, a good range to have if you are into city walks and street shooting. The lens should be in good company with the 18-55mm autofocus AL, which came as a kit lens with the camera.

Setting up a manual focus lens on the KAF2 mount of the K-m body is straightforward, all you have to do next is to set the aperture setting on the lens to 'A', and register the focal length of the lens with the camera. The request for this input is displayed on the LCD screen as you switch the camera on after installing the lens. I input 50 as the zoom's focal length, and it works.

Pentax K-m, SMC Pentax-A 35-70mm 1:4

The flashing LED and audible focus confirmation beep of the K-m (also available on other camera makes and models) are some of the aids I look for when using the camera with a manual focus lens. I consider this almost akin to having focus peaking on mirrorless digital SLR cameras. Good thought!

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