Fuji K-28 35mm Construction Camera

Fuji K-28 35mm Construction Camera

Fuji K-28 35mm Construction Camera

'Camera Review - A look at the Fuji K-28, a ruggedized and weatherproof shock impact resistant manual 35mm viewfinder film camera for the construction industry'


Introduction and Overview

Fuji released the beginning of a series of heavy-duty compact cameras, the Fujica HD-1, in 1979. The camera was fitted with a 38mm F2.8 lens encased behind a large protective window. That was the start of a series of weatherproof cameras for use on constructions sites and rough terrain.

Fuji K-28, Front right
The series evolved into the HD-S, HD-M, and HD-R, known under the generic name 'Bruiser'. They share some resistance to dust, shock, and moisture. This HD-R, the successor of the HD-S, is waterproof to a depth of 2 meters.

The HD-P has an option for turning the camera into a crop-frame panorama camera.

All the models are fitted with the same Fujinon 38mm F2.8 lens and had a large knurled knob on the top to adjust the focus distance. The cameras accept negative or slide film with an ASA speed range from 100 to 400 and are metered by CdS sensors.

Fuji Photo Films K-28 waterproof camera
The Fuji K-28, on the other hand, though having similar ruggedized features as the HD series, is fitted with a wider albeit a slower 28mm F3.9 lens. The K-28 is marketed as a construction camera, usable under conditions of a construction site. It is also dust and splash-proof, with all controls sealed against the elements via tight fitting rubber gaskets and secure latching systems.

Fuji K-28, Front left

The K-28 was released in 1991 and on its sales package, it is also designated as a compact camera.


Basic Camera Features

Not much is known about the Fuji K-28, it is quite rare outside of Japan, and just as well not much information about it is available on the web. The K-28 is fitted with a sealed 28mm F3.9 lens with adjustable focusing and auto exposure with a set 1/100th of a second shutter.

Fuji K-28, Front

The lens is 5 elements in 5 groups construction, with a minimum focus distance of 0.75 meters. The automatic exposure system automatically recognizes film sensitivities from 100 to 400 ASA. The camera is metered by a CdS sensor located beside the lens.

Fuji K-28, Top

On the top plane of the K-28 are the focusing thumb-wheel and the on/off lever for the flash unit located behind it. To the right are the lockable shutter release button, the film advance lever, and frame counter window. The rewind knurl is on the left of the top plate.
Fuji K-28, Back

The film back is plain except for the film check window. On the back of the top plane are the viewfinder window and the flash ready indicator.

Fuji K-28, Bottom

On the bottom plate are the rewind release button and the coin-slotted battery chamber screw-on cover. The first of the two AA cells required to power the flash and electronics is slotted slightly offside into the rounded shape of the chamber while the second slots in vertically and directly into the chamber.

Fuji K-28, Film box

Fuji K-28, Battery latch/FInger grip
The film back is opened by disengaging the finger grip hump, which is actually the latch mechanism, located on the right side of the camera body.

The latch can only be released when the small button located at the bottom of the latch hump, on the front panel of the camera, is pressed.

The film box is fairly standard as seen on most 35mm film cameras and loading the film is fairly intuitive.

Insert the film tab into the yellow spindle, do the wind and release the shutter to ensure that the film if correctly loaded. Close the film back, continue with the customary 2-blank shots to forward the film to frame 1.


Viewfinder Readout

The viewfinder readout is a simple single bright frame line with parallax correction indicators. A red LED lights up above the viewfinder, within the peripheral of your view, to indicate low ambient lighting condition.


Using The Camera

Fuji K-28, Camera controls
Being a fully manual camera, with manual film wind and rewind, manual focus zoning, and manual flash on, places you a step back from autofocus point-and-shoots like what you can find with the Konica Genba Kantoku 28WB, another ruggidized camera built for the construction industry.

The F3.9 lens of the Fuji K-28, however, should be more forgiving when it comes to depth of field and may work well with hyperfocal zoning.

But then again, a camera with a 28mm focal length length lens is always street fantastic, and when a few drops of rain or a bit of a water splash, or a knock or two will do you no harm, you are in for a great time and experience.


Resource Links:
Fun with Fuji's K-28 "Construction Camera"
Fuji K-28 35mm Construction Camera

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