Monday, March 25, 2024

Tamron Adaptall-2 SP 90mm 1:2.5, Up Close

Tamron Adaptall-2 SP 90mm 1:2.5, Up Close 01
Tamron Adaptall-2 SP 90mm 1:2.5, Up Close 02
Tamron Adaptall-2 SP 90mm 1:2.5, Up Close 03
Tamron Adaptall-2 SP 90mm 1:2.5, Up Close 04
Tamron Adaptall-2 SP 90mm 1:2.5, Up Close 05
Sunny 16 Rule: Image making with a Tamron Adaptall-2 SP 90mm 1:2.5 on a 10MP CCD Nikon D80 with fully manual exposures.
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Still learning the 'Sunny 16 Rule' here, with a set of close-up images from the garden shot on the 10MP CCD Nikon D80 mounted with a manual focus Tamron SP 90mm 1:2.5 Adaptall-2 Macro. The 10MP CCD Nikon D80 which does not have the 'Non-CPU Lens Data' menu item or enter information about non-CPU lenses, and the aperture-indexing finger for full-aperture metering with older 'AI' lenses, can only be used in manual mode when mounted with an old-school manual focus lens.

The whole idea here is not to let an excellent vintage enthusiast-grade digital SLR camera, such as the Nikon D80, go to waste by waiting for it to be mounted only with CPU AF lenses, nor letting the cult classic Tamron SP 90mm 1:2.5 Adaptall-2 Macro be equally wasted by wanting it to be mounted only on auto-exposure cameras. Band these two items together, learn to set the exposure manually, and you will probably enjoy photography more than you expected. Exposures were made at 1/200 second, ISO 200, with apertures between 1:2.5~5.6.

Nikon D80, Tamron SP 90mm 1:2.5 Adaptall-2 Macro
Nikon D80, Tamron Adaptall-2 SP 90mm 1:2.5

The 'Sunny 16 Rule', which says that 'On a sunny day set aperture to f/16 and shutter speed to the [reciprocal of the] ISO film speed [or ISO setting] for a subject in direct sunlight,' is an easy way to set your camera’s exposure if you are shooting fully manual or with a fully manual camera. Start with the basic setting of the ISO speed to 100, the lens aperture opening to f/16, and the shutter speed to 1/100 or the nearest available on the camera. When ISO (ASA) 200 film is used, set the aperture at f/16 and the shutter speed to 1/200 or 1/250 second.



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Monday, March 18, 2024

Olympus VR-320, Magic Art Filter, Home Clutter

Creative Art, Magic Art Filter, Home Clutter 01
Creative Art, Magic Art Filter, Home Clutter 02
Creative Art, Magic Art Filter, Home Clutter 03
Creative Art, Magic Art Filter, Home Clutter 04
Creative Art, Magic Art Filter, Home Clutter 05
Creative Arts: Image making with the Magic Art Filter in Drawing mode on the 14MP CCD Olympus VR-320.
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Another set of Drawing mode images rendered by the Magic Art Filter suite on the 14MP CCD Olympus VR-320, a vintage compact travel zoom introduced by Olympus in 2010. The camera is fitted with an Olympus-made 24-300mm F3.0~5.9 equivalent zoom lens, 720p HD recording, image stabilization, Olympus's Magic filters, an HD output, and a 3.0-inch fixed-type LCD display aside from Program Auto and IAuto (Intelligent Auto) exposure modes which will automatically select the correct scene mode from a subset of either Portrait, Landscape, Night + Portrait, Macro, or Sports.

Olympus produced the multicolored video-capable VR digital compact digital camera series, which includes the VR-310, VR-320, VR-330, VR-340, VR-350, and VR-370 between 2011 to 2013. These cameras are fitted with CCD sensors and wide optical zoom lenses ranging from 14MP/10x optical zoom for the 310 to 16MP/12.5x optical zoom for the 370.

Olympus VR-320
Olympus VR-320

Exposure modes include Intelligent Auto, which sets the camera settings automatically based on commonly used scenes that include Portrait, Landscape, Night Scene, Night Portrait, Sport, Indoor, Candle, Self Portrait, Sunset, Fireworks, Cuisine, Text, Beach & Snow, and Pet. For added creativity, these cameras were also supplied with a range of Magic Filters - Pop Art, Pin Hole, Fish Eye, Drawing, Soft Focus, Punk, and Sparkle. The Home Clutter images in this post are created by setting the image exposure to the Drawing option of the Magic Filter set.



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Monday, March 11, 2024

SMC Pentax-A 35-70mm 1:4, The Street Scene

SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 01
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 02
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 03
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 04
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 05
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SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 08
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 09
SMC Pentax-A 35-70mm 1:4,  People And Places, The Street Scene 10
The CCD Sensor: Street scene at the Balai Baru Nat, Kangar, Perlis with a Pentax K-m and a fixed aperture SMC Pentax-a 35-70mm 1:4.
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Had the chance to take out the 10MP CCD Pentax K-m, mounted with the SMC Pentax-A 35-70mm 1:4, for an early morning street shoot at the Balai Baru Farmer's Market, or Nat, at a suburban center on the outskirts of Kangar, the capital of Perlis. The word Nat, or a farmers' street market, offering fresh produce and household necessities is synonymous with the two northern states of Peninsular Malaysia, Kedah and Perlis, held alternatively at differing locations each day.  Normally starting after the dawn prayer, the Nat peters out as the sun rises and ends around midday.

This one here, in Balai Baru, is held thrice a week, with the main market day being on Saturdays while the other two supportive days, with a smaller crowd of buyers and sellers, are on Mondays and Wednesdays. The market activities, aside from being housed under a covered area built by the municipality, sprawl along both sides of the road frontage making it a slow crawl for motorized traffic and a leisure shopping experience for the pedestrian shoppers.

Pentax K-m, SMC Pentax-A 35-70mm 1:4

As for the compact and handy circa 2012 10MP CCD Pentax K-m (K2000 in the US), the camera is as good as it comes and still works flawlessly despite its age. The SMC Pentax-A 35-70mm 1:4, the only 35-70mm Pentax lens with a fixed aperture, is equally competent at capturing the essence of the morning event, shooting against the sun and all. For CCD digital camera enthusiasts, the Pentax K-m is worth a look at, not too many around on the auction market though, with prices that tend to be slightly higher than average.


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Monday, March 4, 2024

Fujifilm FinePix BigJob HD-3W, Places We Met

Fujifilm FinePix BigJob HD-3W, Places We Met 01
Fujifilm FinePix BigJob HD-3W, Places We Met 02
Fujifilm FinePix BigJob HD-3W, Places We Met 03
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Fujifilm FinePix BigJob HD-3W, Places We Met 05
The CCD Sensor: Reminiscing the nostalgia of the good old film days with the 6MP CCD Fujifilm FinePix Bigjob HD-3W.
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Reminiscing the good old days of the past, places where we met, and the nostalgia of film-like images as captured through the lens of a vintage 6MP CCD Fujifilm FinePix BigJob HD-3W, a ruggedized all-weather digital camera built for the construction and engineering industry. The HD-3W, introduced by FujiFilm in 2007, is still as valid today as the easy-to-use go-anywhere camera is waterproof, dustproof, shockproof, and can withstand a drop up to 70cm.

The HD-3W should fit well the needs of the sporting outdoorsman, with its wide-angle 3 x (28-84mm equivalent) optical zoom lens, a 3-inch LCD screen, ISO sensitivity of up to 1600, a shutter speed range from 2 to 1/2000 second, and buttons that are easy to use even with gloved hands. For times when a flash is needed, the built-in strobe enables a longer flash distance of up to 10 meters. For the techno, the HD-3W also features Detection of Manipulation (to check for image tempering) and CALS (takes 1MP photos for e-mail distribution) modes.


Fujifilm FinePix BigJob HD-3W
Fujifilm FinePix BigJob HD-3W

The ability to take low-noise high-quality film-like images is also enhanced on the HD-3W by the provision of a selectable emulation mode which can be set to Standard, F-Chrome, and F-B&W, with the 2 later items listed and displayed on the LCD as film roll icons. The Fujifilm FinePix BigJob HD-3W is powered by a pair (2x) of easily replaceable AA batteries.



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