Monday, November 6, 2017

Analog Diary: A Mixed Bag of Images

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Minolta Alpha Sweet, Minolta AF 35-70mm 1:4

A Mixed Bag of Images

Minolta Alpha Sweet, Minolta AF 35-70mm f/4
'A quick shoot session with the Minolta Alpha Sweet 35mm SLR and Minolta AF 35-70mm f/4 lens'

The presentation is a slight diversion from my usual thematic style of making images to one which is a mixed bag of images, with random and unplanned shots.

These images are a quick take session with the Minolta Alpha Sweet 35mm SLR and a Minolta AF 35-70mm f/4 kit that just came through the mail.

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Minolta Alpha Sweet, Minolta AF 35-70mm f/4
I was so excited about the kit that I did not waste much time loading the camera with a fresh roll of Kodak ColorPlus 200, walking out of the front door into the bright and sharp sunshine, started shooting and went through the roll of film in no time at all.

A plastic-bodied lightweight, the Alpha Sweet (a.k.a Dynax 505si Super in Europe, Maxxum XTSI in the Americas) comes with PASM modes, a sophisticated 14-segment honeycomb-metering pattern, a three-point Crosscut AF sensor, and eye-start operation.

A rapid subject-program mode selection for Portrait, Landscape, Close-up, Sports, and Night Portrait subject programs sits along the top edge of the LCD data panel.

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The Minolta AF 35-70mm 1:4, first introduced as a kit lens in 1985 with the launch of the Maxxum 700 A-mount camera system, which is rather short and compact, was a very popular item then. The lens is supposedly sharp all the way up, and it comes with a Macro mode for magnification of up to 0.25x.

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As one of the better lenses from the early Minolta period, the lens is also on the list of recommended lenses for current Sony Alpha camera users, both for ASP-C and full frame sensors.

You can also set the camera for Spot AF to lock both focus and exposure, Spot Metering, Exposure Compensation, Multiple Exposures, Exposure Bracketing, Flash Syncs, and set personal shooting style or preference of up to nine custom functions.

Minolta Alpha Sweet, Minolta AF 35-70mm f/4

Using the camera was also a fresh change for me, a change from manual focus and cranked film forward cameras to an era of PASM modes and autofocus point-and-shoot simplicity, much like what you do today with your digitals. Loading the camera is fast and easy, the eye-start system is one for a rapid, and practically instantaneous, response after switching on.

Best of all, of course, is the chance to enjoy the 'Minolta Magic,' the combination of color and contrast rendered by Minolta lenses that you must experience to appreciate.


Resource Links:
Minolta Maxxum XTsi SLR
Alex Kunz Taipei

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